⚡ Barris Cruz Rhetorical Analysis

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Barris Cruz Rhetorical Analysis



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Rhetorical Analysis: Marc Antony and John F. Kennedy

How is our broader visual culture shaped by activist practices that circulate in public space? How can we better understand forms of communication that take place under threat of war, revolution, or repression? What strategies can be deployed to transform our engagement with the built environment and broader ecologies? How do embedded social hegemonies, such as racism, figure in the larger efforts to engage with activism visually? Scholars, artists, and activists address these and related questions in a series of presentations, performances, and interactive projects. For further information about the International Association for Visual Culture, please visit iavc. Visual Activism was followed on Sunday, March 16, by Bearing Witness , a one-day symposium that explores the political and social significance of the rapid and fundamental changes in the field of contemporary photography.

Tickets Search. Visual Activism. Overview Schedule Presentations. These mixes musically imbibe the particular emotion or theme Miranda chooses to emphasize on a given day. Twitter serves as a vehicle for Miranda not simply to make things for his followers but to maintain a vibrant emotional connection with them. An exchange takes place when Miranda shares a music mix that translates a specific mood. He embodies an ethics of empathy, acknowledging the emotional needs of a universal follower and offering a music mix that can satisfy those needs. The labor involved in the production of original content becomes particularly evident in the queries from followers about when Miranda will share his next compilation of music. Nonetheless, such requests also hint at the impossibility of sustaining such a project—is a follower ever going to feel satisfied with the rate of mixtape production?

The challenge of cultivating intimacy online is that it requires an excess, at a nearly inhuman rate, of curation and cultural production. The greeting routine of expressing appreciation for followers or at least acknowledging their presence and investment in maintaining contact is one way that Miranda attempts to stay relevant on a daily basis with his millions of followers. The promotional appeals likewise share an emotional valence. Rather than introduce the name or date of when the show would air neither of which are mentioned , Miranda instead frames the image of his character with an expression of gratitude for his followers and the expectation that they will see it when it airs that summer.

Expressions of affect translate into claims on future financial investment. Whereas the followers were the ones making requests, here it is Miranda who now places expectations on his audience to provide the emotional and financial support of his creative projects. The dominant emotive valence of the messages tends toward that of empathy, with the exception of Trump. Such moments of public commentary function as a form of activism that primarily focuses on rhetorically instantiating community.

The messages to Donald Trump take on an unusual tone in terms of the dominant emotional valence Miranda usually adopts in his tweets. Additionally, the theme of waiting returns from the promotional tweets, but the expectation is quite different. Americans are depicted as awaiting the ethical behavior of the president, and when that behavior is found lacking, Miranda asserts that it is Trump who will not have to wait for his cosmic comeuppance. The protest was covered by major news outlets, such as NPR and the New York Times ; however, Miranda dedicated only a single tweet to the event. Without illustrating what he found troubling, followers are left to choose whether they will research the media coverage. Miranda appears to generally distance himself from Puerto Rican protest movements about the governance and economy of Puerto Rico, for example, he also made no comment on similar protests in although he was also offline then, on a Twitter vacation.

Perhaps it is too risky to invest the intimate ties that Miranda has established with his Twitter followers in public demonstrations that potentially include contentious clashes between police and protesters. At the same time, an aesthetics that is so dependent on a feel-good dynamic of gratitude to support the exchange of financial capital cannot dwell for too long on activism that challenges the logic of a debt economy. There are limited avenues available to retroactively pull an archive of tweets.

In addition, Twitter as a corporation sets legal limits on data collection. I can attest to this because my application was rejected, and there is no mechanism available to appeal such a decision. Thank you for your interest in developer access. We are unable to serve your use case at this time. Thank you for your interest in building on Twitter. The social media and Web archiving project Documenting the Now offers a crowdsourced alternative to such corporate gatekeeping.

Even if Twitter made their collection of tweets open-access or the Library of Congress had the ability and means to document it all, why would academics want to engage an archive so compromised by the dynamics of surveillance and profit extraction? The question remains whether the same critical interest will be dedicated to other Latinx cultural producers and their use of social media and to what extent such research will ethically engage those producers. Twitter will one day surely go the way of MySpace and other defunct social networking sites; what will be lost is more than a decade of discursive networks developed by minor US Latinx literary voices with varied and potentially contradictory articulations.

Despite my ambivalence about the form and content of Twitter, I believe the study of US Latinx literature and culture will be at a loss if it does not draw its attention toward ethically analyzing the work of US Latinx writers on social media before those interfaces disappear and are replaced by new sites of public discourse. The absence of a publicly accessible archive moving forward presents serious challenges to US Latinx studies scholars: How will the Twitter production of Latinx cultural producers be collected and preserved? Which tweets by Latinx creative writers will be acquired by the Library of Congress? In , the Andrew W. Without governmental or academic sites for archiving tweets, there is no alternative contextualization possible for their production.

While shifting tweets from the Twitter platform to these alternative spaces for research would not necessarily resolve the ethical quandaries of analyzing cultural production produced within a surveillance capitalist structure, such an archival process would hopefully create some healthy distance between researcher and corporation. We must not only be transparent about our methodology but also explicit about our ethical failures. I can only hope that here I have begun to map out a form and process that gestures toward this intellectual transparency. I am indebted to the expertise of Emily Sherwood, who served as the assistant director of digital pedagogy and scholarship at Bucknell University in and trained me to use TAGS, Twitter Archiver, and Voyant.

I am also grateful to Diane Jakacki, Todd Suomela, and Christian Howard, who provided support for this project at its later stages. Lin-Manuel Miranda, Gmorning, Gnight! Little Pep Talks for Me and You , illus. Illustrations by jonnysun! Available October 23! We love you! Having written these essays addressing the themes of belonging, race, politics, class, and audience, I am interested in investigating how the copious amounts of text that Miranda produces via Twitter conveys a broader philosophy on the intersection of aesthetics and politics on social media. Christopher B. You are champions! Ricardo L. For a nuanced and detailed analysis of how hashtags have been deployed, including commercial and social activist uses, see Losh, Hashtag.

You can donate to relief efforts here in two clicks: hispanicfederation. The trains run so much better when my wife takes the morning shift. Ryan P. Realize being an actor of color means no one will write your dream role for you. Get to writing. Good luck! Mean it. It feels good. Try it. Be safe. No long lines for you. Zuboff, Age of Surveillance Capitalism , ISSN: X. Figure 2. Figure 5. Twitter profiles of twelve Latinx writers. Figure 6. The raw frequency of you in the corpora of thirteen writers. Figure 7. Figure 8. Figure 9. Chibas's reply to Kamala Harris. Miranda's Ham4All challenge. The Hamilton Campaign Network. Figure Miranda on austerity protests in Puerto Rico. Screenshot of Miranda's bio profile, January A gratitude tweet with Marilyn Monroe.

A Miranda Spotify mixtape announcement. Miranda as Gizmoduck. Miranda on the mass shooting in San Antonio, Texas. Miranda on dreamers. Return to Top. Thank you for your leadership and please do all you can to ensure our Puerto Rican citizens receive the aid they desperately need. My Equinox move for healing and restoration. For you my friends. Mildred I am so happy and relieved for you.

Un abrazote!

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