⌛ Importance Of Craftsmanship In The Renaissance

Wednesday, December 01, 2021 1:31:46 PM

Importance Of Craftsmanship In The Renaissance



Importance Of Craftsmanship In The Renaissance antiquity thinkers such as Plato, Aristotle and Vitruvius were regaining respects. How Did Isaac Newton Contribute To The Scientific Revolution of Flemish Painters c. Ancient Greek Art Importance Of Craftsmanship In The Renaissance around B. Besides Importance Of Craftsmanship In The Renaissance and van Dyck one of the most important Flemish artists. He lived the depraved and unorderly life which he painted. Son of the Netherlandish painter Importance Of Craftsmanship In The Renaissance Valkenborch.

The Renaissance Explained in 8 Minutes

At first, he thought that branding only applied to major corporations. I challenged that idea and proved that we could create a widely recognised and highly sought-after brand with clients the world over. There are many family operations in Portugal where next-generation members are actively involved, but their dynamic is unstable because the older generation lacks faith in their progeny.

They feel that the next generation does not understand the product or have the experience to generate success. The trust my father placed in me allowed me the level of freedom needed to reinvent the family business. Despite my youth, I demonstrated the expertise required to gain the confidence of both our employees and partners. Our products appeal to those that appreciate fine craftsmanship; our furniture is art. When customers look at our furniture, it is as if they were looking at a painting. If you buy furniture from IKEA, you are getting something functional and generic. Our products are functional and chic. We give our customers the ability to curate their spaces, using our furniture as conversation pieces that evoke an emotional response.

The skills of our craftspeople are unique and not easily transferrable. Their work imbues Riluc with a distinct competitive advantage. Some of our concepts regularly met with disbelief from the designers I initially approached. They are unique to the extent of being controversial. We take metal and inject life into it using relentless creativity and skill. Initially, competitors doubted our viability simply because of our unconventional products, but we showed that consumers crave unique products to define their spaces.

That consumer demand is the very reason we entered the high-end market. We create one-of-a-kind pieces that inspire people. However, there is more than enough demand for us to carve out a viable place in the industry. I attribute our appeal to the fact that we make products that people have never seen before. However, we have seen somewhat of a renaissance for craftsmanship at home.

Consumers are starting to appreciate entrepreneurs that stand by their product. As such, it is difficult in my country to build a brand and gain the trust of consumers. Portuguese people usually associate furniture with large Italian firms. My fellow countryman, Cristiano Ronaldo, immediately comes to mind when I think about the recent surge in personal branding around the world. In the craft industry, the importance of your product identity in sustaining branding cannot be understated. The long legacy of these Italian furniture brands has made them household names in Europe. That said, Portuguese furniture is beginning to get noticed. In fact, over the last decade, Portuguese brands have won a victory of sorts.

We are now the leading furniture suppliers to France. Many Portuguese are drawn to crafts and factory production work. For example, many countries, including France, have much of their high-end products made in Portugal. Over the last five years, an increasing demand for quality has strengthened the sector. During the Renaissance, scholars rediscovered the works of Plato as they filtered into Europe through Muslim Spain and Byzantium.

In a huge shift, astronomers began to question the geocentric view of the universe, looking for viable alternatives. The first challenge to the Platonic model of the universe came from Copernicus who, through intuition and indirect evidence, proposed that the Sun lay at the center of the universe. In his book, Commentariolus, A Little Commentary , he surmised that the sun lay at the center of the universe, with the Earth and other planets revolving around it, with the moon revolving around the earth. This sparked great debate and Copernicus continually added to and amended his theory, using mathematics to show how his model worked.

In , a short time before his death, Copernicus published De Revolutionibus Orbium Coelestium On the Revolutions of the Celestial Spheres , but this was banned by the Catholic Church, who felt that the new model for the universe bordered upon blasphemy. In the preface to the book, a Lutheran pastor called Andreas Osiander added that the book was only designed to help with astronomical calculations rather than state how the universe worked; however, Protestant resistance softened over time and Osiander proclaimed that he was a great admirer of Copernicus. The Danish astronomer, Tycho Brahe, who had long since realized the importance of astronomy and of developing accurate charts and tables, adopted the ideas of Copernicus.

He understood that many of the tables used were inaccurate and set about making even more precise measurements, persuading the Danish king to provide him with an island and the finances to build an observatory and stock it with the finest equipment. His observatory, Uraniborg, Heavenly Castle , was finished in and Tycho, alongside a number of assistants, designed and built instruments. For the next two decades, Tycho meticulously scrutinized the skies, making measurements and updating the star charts. Tycho was extremely impressed with the mathematical precision of Copernicus, but he could not accept the heliocentric model, designing a hybrid model that kept the Earth at the center of the universe.

In his system, Tycho proposed that the Earth sat at the center of the universe, and the moon and sun revolved around it, with the five known planets circling the sun, and the stars inhabiting a region just outside that. He based this model on the idea that the Earth was unmoving and fixed because, he proposed, if the Earth orbited the sun, the nearest stars to the Earth would appear to move relative to further away stars. The other explanation was that the stars were too far away to notice any such shift, but Tycho rejected this idea, unwilling to accept that the universe was so large. Despite the inaccuracy in his theory, and the fact that few others accepted it, he contributed to the history of astronomy by making extremely accurate measurements and employing an assistant, Johannes Kepler, who would become one of the greatest astronomers of all.

Johannes Kepler December 27, — November 15, , alongside Galileo, took astronomy to the next stage, building upon the work of Copernicus and Brahe and earned a place as a scholar who oversaw the movement towards the Enlightenment. He was fascinated by the structure of the universe and attempted to uncover the reason why the planets behaved as they did. He accepted the Copernican model and tried to devise models, using harmonics and even Platonic solids as the basis for a perfectly geometrical universe. He eventually reached Prague, where he became an assistant to Tycho Brahe, understanding that he needed access to the better quality data that only Brahe could provide. Brahe, slightly egotistical at the best of times, jealously guarded his data but, impressed by the keen mind and theoretical work of Kepler, gradually released more data.

Kepler began to study the orbit of Mars, a study that would define his later work and theories. Kepler inherited this information, but he felt that the Copernican model was better suited to the data. At the heart of this belief was the idea that the universe was geometrically perfect, with the planets and stars moving in an ordered fashion, a model that could be described mathematically; certainly, this model fitted the observations much better than the geocentric model with its epicycles within epicycles.

However, it was not perfect, and there wee still many irregularities. Kepler was the first to throw another idea into the mix, that the data and observations could be explained if circles were taken out of the models and replaced with ellipses. Describing the orbits of the planets around the sun with eclipses fitted the data beautifully, a shift in attitudes. This change in attitudes was a monumental paradigm shift, challenging philosophy and theology equally. Until Kepler, the circles were assumed to be correct — this allowed the earth or sun to be at the center of the universe, diving perfection and fitting the idea of a creation.

Man automatically assumed that he was the center of the universe — the shift towards a heliocentric universe may have required a small shift but, as the sun was a life giver, this was acceptable to philosophers and theologians. Taking away this perfection, with ellipses, swept all of this away, with an ellipse having no central focus but two loci. As Kepler devised his model of the universe, the other great contributor to astronomy, Galileo, worked upon his own ideas. Galileo concentrated upon terrestrial mechanics, whereas Kepler looked at celestial bodies, using a body of observations and measurements to create his picture of the cosmos and support his stance on heliocentrism.

Galileo was born in and trained in medicine and mathematics, also becoming a skilled instrument builder, a talent that would serve him throughout his career. Contrary to the popular urban myth, it is unlikely that Galileo actually invented the telescope, with the principle discovered in Holland, the home of optics and lens making. However, there is little doubt that he used his talent and craftsmanship to improve the design, using it to observe the heavens in greater details than ever before. His first telescope magnified objects by a factor of ten, but using geometry, he soon devised better models. Some of the discoveries he made and published in his book, Siderius Nuncius , or Starry Messenger , were:.

These discoveries led him to adopt the Copernican view, that the sun lay at the center of the universe, and this would lead him into conflict with the Catholic Church. The church had banned all literature supporting the Copernican view, believing that it was heretical. In , Galileo decided that it was safe to publish his work, and released his book, Dialog on the Great World Systems , although he tried to make clear that his ideas, based upon Copernican views, were theoretical concepts. This was not enough and, in , he was placed under house arrest, at the age of

Leonardo da Vinci Leonardo da Vinci was a painter, architect, inventor, Importance Of Craftsmanship In The Renaissance student of all things scientific. Importance Of Craftsmanship In The Renaissance is Humanism? Add to my courses. One of the wealthiest Persepolis Totalitarianism most well-known families of this Importance Of Craftsmanship In The Renaissance was the Medici family, who ruled Examples Of The Green Light In The Great Gatsby for Importance Of Craftsmanship In The Renaissance than 60 years and were famous backs of the movement.